Wallpapers

Motif functions as a strategy of infiltration, concealing its intentions under a decorative guise. Repeated, it occupies the surface and turns the familiar into something obsessive.

Wallpaper intensifies this process. As a domestic support, it introduces a reassuring proximity while carrying political and cultural narratives. A burning monstera, emblem of globalized exoticism, or black-and-white GIFs from a disappearing amateur repertoire: both show how the minor or ornamental holds memory, tension, and ideology.

As Jeff Perrone wrote of Pattern & Decoration, “decoration becomes decontextualized by virtue of its being borrowed.” In this act of borrowing and displacement, motif ceases to be background: it contaminates space and unsettles the supposed neutrality of the decorative.

« The urge to ornament one’s face, and everything in one’s reach, is the origin of fine art. … But...
Untitled (Fading Flowers) 1
Untitled (Fading Flowers) 2
Untitled (Fading Flowers) 3

Untitled (Fading Flowers)

2020, wallpaper, variable dimensions

Exhibition view, Biennale artpress, Musée d’Art Moderne de Saint-Étienne, 2020, © Rémy Pommeret; © F. Roure.

Untitled (Frozen Flowers) 1
Untitled (Frozen Flowers) 2

Untitled (Frozen Flowers)

2018, wallpaper, variable dimensions

Exhibition view, You should only have eyes for me, Villa du Parc, Annemasse, 2018, © Aurélien Mole.

Drawing Flower 1
Drawing Flower 2
Drawing Flower 3
Drawing Flower 4

Untitled

2019, colour pencil on paper, 30 × 24 cm